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Serial Killaz Recordings welcomes UFO Project for their debut drum & bass release with the Fever EP, a three track introduction from two producers whose reputation has already been forged in Spain's bass music underground. Hailing from Seville and Tenerife, the duo have built their name through hard hitting breakbeat, hardcore and bassline productions. Now they channel that same energy into theirdebut for Serial Killaz Recordings, delivering an EP that feels rooted in rave and jungle tradition, while remaining unmistakably geared towards today's drum & bass dancefloors.

The title track, Fever, wastes no time setting the tone. Ethereal female vocals draw listeners in before a commanding reggae vocal takes over and the track erupts into full throttle jump up basslines. It's a seamless blend of classic influences and contemporary production, balancing infectious hooks with relentless low end pressure.

Super Skunk keeps the momentum rolling with a healthy dose of reggae flavour. Offbeat skanks, chopped vocal refrains and sound clash inspired shouts weave through the mix before giving way to a driving jump up bassline built to lock dancefloors into motion. It's stripped back where it needs to be, explosive where it counts, and packed with character throughout.

Closing cut Detonate tips its hat to the rave and hardcore roots that helped shape UFO Project's sound. Bold brass stabs and old school rave vocals build anticipation before the track launches into an uncompromising barrage of jump up bass, rapid fire Amen break switches and enough energy to leave any dancefloor in pieces.

With the Fever EP, UFO Project make an assured entrance into the world of drum & bass. Drawing on influences from reggae, jungle, hardcore and rave culture while keeping their sights firmly on modern dancefloor sounds, this debut showcases a duo with a clear identity and plenty more to offer.

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Brian Brainstorm returns to Serial Killaz Recordings with the explosive two track EP, Run Di Place, landing on 21 August 2026.

Brian Brainstorm follows up his latest outings with two tracks that hit from different angles while keeping the focus firmly on the dancefloor. The title track, Run Di Place, is a high energy slice of jump up, driven by punchy drums, weighty basslines and an infectious female reggae vocal that gives the track its unmistakable identity. Rather than softening the impact, the vocal cuts cleanly through the mix, adding a memorable hook to an otherwise uncompromising dancefloor weapon.

The second cut, Just To FXXK It Up, sees Brainstorm joined by Fu for a tougher, more direct outing. Built around a gritty hip hop vocal and a no nonsense low end, it trades melody for attitude, pushing things into darker territory while keeping the momentum locked from start to finish.

Together, the two tracks show Brian Brainstorm's ability to balance memorable vocal hooks with heavyweight club production. Different in character but equally effective, Run Di Place is another strong addition to the Serial Killaz Recordings catalogue.

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Serial Killaz reunite with Bristol vocalist Mad Sam for Man Ah Junglist, a sun drenched reggae drum & bass anthem that captures the spirit of soundsystem culture and long summer days.

Built around warm reggae influences, crisp jungle breaks and a rolling bassline, the track carries an effortless energy from start to finish. Mad Sam's unmistakable vocal celebrates the identity and unity of the junglist community, delivering a feel good message that sits naturally alongside the music's infectious groove.

Following a string of successful collaborations, Man Ah Junglist continues the chemistry between Serial Killaz and Mad Sam, blending reggae authenticity with modern drum & bass production. Equal parts uplifting and dancefloor ready, it's a tune made for festivals, open air sessions and anyone who still believes jungle is more than just a genre, it's a way of life.

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Some records are built for the sunshine. Dark Discipline is built for the hours after midnight.

Dreadnaught makes his debut on Serial Killaz Recordings with a five-track EP that plunges headfirst into the murkier corners of drum & bass, delivering a heavyweight blend of dirty rollers, grimy jump-up pressure and stripped-back underground menace. Across the release, he trades polished surfaces for raw impact, constructing a world of cavernous basslines, snapping drums and shadowy atmospherics that feel tailor-made for sweatbox raves and smoke-filled dancefloors.

There's a sense of restraint running through Dark Discipline. Rather than chasing cheap gimmicks or overblown theatrics, Dreadnaught focuses on groove, tension and low-end weight, allowing each track to breathe while maintaining an unwavering sense of momentum. The result is a collection that hits hard without sacrificing depth, drawing equally from classic jump-up attitude and the darker, more disciplined edge of contemporary rolling drum & bass.

Adding another layer to the EP is Shapeshifters, a collaboration with fellow D&B producer Total Recall. The pairing proves a natural fit, combining both artists' taste for heavyweight bass pressure and razor-sharp dancefloor dynamics, while staying firmly aligned with the EP's dark and uncompromising aesthetic.

From start to finish, Dark Discipline feels like a statement of intent. Unapologetically underground and engineered for maximum impact on a big system, it's a reminder that some of the most powerful drum & bass doesn't shout for attention, it simply locks into the groove and refuses to let go.