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Sens Age makes his Serial Killaz Recordings debut with Catch Ah Fire, joining forces with label regular Mad Sam for a single that brings a slightly different flavour to the label's familiar reggae drum & bass and jungle territory.

Barcelona-based producer Sens Age arrives on Serial Killaz for the first time with a production that takes those influences in a slightly different direction. The reggae and jungle elements remain firmly in place, but there's a cleaner, more contemporary feel to the production, giving Catch Ah Fire its own character without straying too far from the sounds that have always been central to the label.

For Mad Sam, meanwhile, this is familiar territory. Having already appeared on multiple Serial Killaz releases, his distinctive vocal delivery provides the track with its unmistakable character, sitting naturally over Sens Age's production and bringing that familiar dancehall influence back to the forefront.

The result is a meeting of two different approaches, Sens Age bringing a fresh perspective to the label for his debut, while Mad Sam supplies the vocal presence that regular Serial Killaz listeners will already know.

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Traumatize joins forces with Serial Killaz for Bad Girl, a vibrant slice of reggae-infused drum and bass that balances soulful melodies with heavyweight jungle energy. Featuring the unmistakable vocal talents of Sahala alongside a guest appearance from scene veteran Fatman D, the single draws on the timeless sound of reggae-inspired jungle while delivering a fresh, contemporary drum & bass production.

Sahala takes centre stage with a confident vocal celebrating independence, attitude and self-assurance, perfectly complementing the track's warm, uplifting feel. Fatman D steps in with a commanding guest verse, adding the unmistakable presence that has made him one of drum and bass and jungle's most respected MCs.

Driven by rolling breaks, rich basslines and sun-soaked reggae influences, Bad Girl captures the spirit of classic jungle without feeling nostalgic. Its infectious groove, soaring vocal and high-energy production make it equally suited to festival stages, club systems and summer playlists.

Pairing Traumatize's production with the unmistakable touch of Serial Killaz, Bad Girl is a celebration of reggae, jungle and drum and bass at their most vibrant, delivering a track that feels both timeless and completely at home on today's dancefloors.

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Serial Killaz Recordings welcomes UFO Project for their debut drum & bass release with the Fever EP, a three track introduction from two producers whose reputation has already been forged in Spain's bass music underground. Hailing from Seville and Tenerife, the duo have built their name through hard hitting breakbeat, hardcore and bassline productions. Now they channel that same energy into theirdebut for Serial Killaz Recordings, delivering an EP that feels rooted in rave and jungle tradition, while remaining unmistakably geared towards today's drum & bass dancefloors.

The title track, Fever, wastes no time setting the tone. Ethereal female vocals draw listeners in before a commanding reggae vocal takes over and the track erupts into full throttle jump up basslines. It's a seamless blend of classic influences and contemporary production, balancing infectious hooks with relentless low end pressure.

Super Skunk keeps the momentum rolling with a healthy dose of reggae flavour. Offbeat skanks, chopped vocal refrains and sound clash inspired shouts weave through the mix before giving way to a driving jump up bassline built to lock dancefloors into motion. It's stripped back where it needs to be, explosive where it counts, and packed with character throughout.

Closing cut Detonate tips its hat to the rave and hardcore roots that helped shape UFO Project's sound. Bold brass stabs and old school rave vocals build anticipation before the track launches into an uncompromising barrage of jump up bass, rapid fire Amen break switches and enough energy to leave any dancefloor in pieces.

With the Fever EP, UFO Project make an assured entrance into the world of drum & bass. Drawing on influences from reggae, jungle, hardcore and rave culture while keeping their sights firmly on modern dancefloor sounds, this debut showcases a duo with a clear identity and plenty more to offer.

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Brian Brainstorm returns to Serial Killaz Recordings with the explosive two track EP, Run Di Place, landing on 21 August 2026.

Brian Brainstorm follows up his latest outings with two tracks that hit from different angles while keeping the focus firmly on the dancefloor. The title track, Run Di Place, is a high energy slice of jump up, driven by punchy drums, weighty basslines and an infectious female reggae vocal that gives the track its unmistakable identity. Rather than softening the impact, the vocal cuts cleanly through the mix, adding a memorable hook to an otherwise uncompromising dancefloor weapon.

The second cut, Just To FXXK It Up, sees Brainstorm joined by Fu for a tougher, more direct outing. Built around a gritty hip hop vocal and a no nonsense low end, it trades melody for attitude, pushing things into darker territory while keeping the momentum locked from start to finish.

Together, the two tracks show Brian Brainstorm's ability to balance memorable vocal hooks with heavyweight club production. Different in character but equally effective, Run Di Place is another strong addition to the Serial Killaz Recordings catalogue.